Mr. Freud, a grandson of Sigmund Freud, was called “the greatest living realist painter” by one art critic in the late 1980s.
Showing Off Eclectic Tastes
By LARRY ROHTER
Marcelo D2 will kick off Brasil Summerfest in New York, which focuses on some underappreciated genres and less familiar names from Brazil.
ART REVIEW
When Repression Was a Muse
By HOLLAND COTTER
The New Museum takes a welcome turn to the substantive with an exhibition of art from and about Russia and the former Soviet bloc.
Vampires Meet Auteurs at Fan Fest
By BROOKS BARNES
The “Twilight” phenomenon showed no signs of abating at Comic-Con International in San Diego, where a studio presentation drew hundreds of ravenous fans.
CRITIC’S NOTEBOOK
Down South, Where the Stereotypes Bloom
By GINIA BELLAFANTE
Two new reality shows on CMT continue a trend among shows set in the South: urbanity is scarce, and a certain brand of womanhood is promoted.
ART REVIEW
A Modernist Who Thrived at the Margins of Painting
By ROBERTA SMITH
“At the Edge of the World,” at the Whitney, is an effective if incomplete reintroduction to the work of Lyonel Feininger, an American-born artist who was a major figure of the Bauhaus.
Not That Kind of Nose Job
By RANDY KENNEDY
At a gallery in East Hampton, artists try their hand at nose-cone decorating.
THEATER REVIEW | 'DEATH TAKES A HOLIDAY'
Set Aside That Scythe, and Let’s Put on a Show
By CHARLES ISHERWOOD
The new musical “Death Takes a Holiday” finds the Grim Reaper visiting the living and breaking into song.
MOVIE REVIEW | 'FRIENDS WITH BENEFITS'
It’s Just Sex. We’re Just Friends. You Know the Rules. Etc., Etc.
By MANOHLA DARGIS
Will Gluck’s “Friends With Benefits,” starring Mila Kunis and Justin Timberlake, is a romantic comedy about romantic comedy.
MOVIE REVIEW | 'CAPTAIN AMERICA'
Hey, Brooklyn, Where’d You Get Those Muscles?
By A. O. SCOTT
“Captain America,” like its unapologetically corny hero, is propelled by unpretentious and plucky ingenuity.
BOOKS OF THE TIMES
‘David Bowie: Starman’
By BY PAUL TRYNKA
Reviewed by DWIGHT GARNER
“David Bowie: Starman,” by Paul Trynka, views its rock-star subject as a shape-shifting and calculating cabaret singer.
INSIDE ART
Blockbuster Growth in the Met’s Attendance
By CAROL VOGEL
Suddenly the Metropolitan Museum of Art is a hot ticket; the Philadelphia Museum of Art announced the acquisition of a large and varied group of artworks.
INSIDE ARTS
Movie Review | 'Another Earth': Living in a Different World, Searching for a Second Chance
Flowing Hair? Tight Pants? Women Can Rock That
Music Review: Her Fans, Squealing, Won’t Hold Their Peace
Television Review | 'The Captains': To Boldly Go: A Starfleet Six-Pack
Music Review: A Big Voice and an Awful Lot of Refinement for a Long Island Honky-Tonk
Music Review: Improvisation, as Well as Intensity
Art Review: Blind Ambition of Leather-Clad Heads
Movie Review | 'The Myth of the American Sleepover': The Night Belongs to Teenage Yearning
Art Review: From Theorems and Numbers, the Geometry of a Diverse Career
Movie Review | Sarah’s Key': The Horror of Yesterday and the Everyday of Today
Movie Review | 'Autoerotic': When Sex Is Loneliness Multiplied
Inside a Master Class: Breathe, Punctuate, Forget Led Zeppelin
Music Review: Central Park Moonlight, Igniting Love for Mimi and Rodolfo
Art in Review: PHOEBE WASHBURN: ‘Temperatures in a Lab of Superior Specialness’
Art in Review: CIPRIAN MURESAN
Art in Review: ‘COLOR FIELD REVISED’
Art in Review: DAVID ZINK YI: ‘Pneuma’
ELLA KRUGLYANSKAYAAND BENJAMIN SENIOR
Weekend Miser
House Tour: Claverack, N.Y.
Movie Review | 'Singham': A Cop Meets Bollywood
Movie Review | 'A Little Help': An Unsatisfying Life
Movie Review | 'Fire in Babylon': A Look at West Indies Cricket
Podcast: Music
This week: Jon Caramanica brings back hundred-degree tales of Indie Nation from the Pitchfork Festival in Chicago; Jim McKinley speaks with Mitch Winehouse, crooner and dad-in-the-shadows; and we check into CDs by NRBQ and Oren Ambarchi with Jim O’Rourke
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