On Deck, the Met’s Pinch-Hitter
By DANIEL J. WAKIN
Fabio Luisi, the principal guest conductor at the Metropolitan Opera, is considered the heir apparent when James Levine steps down as music director.
OPERA REVIEW
A ‘Walküre’ Still Obsessed With Its Big, Expensive Toy
By ANTHONY TOMMASINI
The Metropolitan Opera’s highly anticipated new production of Wagner’s “Walküre” is both captivating and exasperating.
Just a Maid in Movies, but Not Forgotten
By MANOHLA DARGIS
Theresa Harris, a black actress whose usual role was as a servant, is one of the inspirations for a new play by Lynn Nottage.
Toasts for Royals, Spiked With Scorn
By ALESSANDRA STANLEY
Television is flooded with shows devoted to the wedding of Prince William and Kate Middleton that rubberneck at all things royal with a knowing leer.
Prehistoric Cave With a Hornet on the Wall
By LARRY ROHTER
Last year the director Werner Herzog was allowed to film in the Chauvet cave in southeastern France, where archaeologists have found wall paintings 32,000 years old.
A Life Digging for Veins of Gold
By JON PARELES
Emmylou Harris, singer and occasional songwriter, has a new album, “Hard Bargain,” going on sale this week.
In Elite Library Archives, a Dispute Over a Trove
By MICHAEL BARBARO
Paul Brodeur, a former investigative reporter for The New Yorker, claims the New York Public Library has mishandled the collection of documents he donated to its archives.
Special Gallery Section
What’s Blooming Indoors
Critics for The New York Times report on their art-world spring awakenings in four Manhattan neighborhoods.
First an Outcast, Then an Inspiration
By CELIA McGEE
“Stargazers: Elizabeth Catlett in Conversation with 21 Contemporary Artists” shows the artist’s influence on a new generation.
Big Questions, Smart Women, Mann’s Movies
By A. O. SCOTT and MANOHLA DARGIS
The co-chief film critics of The Times answer reader questions on cultural differences in movies, character actresses and independent film, and Joel Coen chimes in on the issue of cats.
Royal Ballet Seeks Next Link
By ALASTAIR MACAULAY
The Royal Ballet’s “Metamorphoses” program will be the final presentation of the artistic director, Monica Mason, whose reputation is principally that of a devout caretaker. Should her successor take a bolder line than she has? If so, in which direction?
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