miércoles, 9 de febrero de 2011

Lymph Node Study Shakes Pillar of Breast Cancer Care


Lymph Node Study Shakes Pillar of Breast Cancer Care




A new study finds that many women with early breast cancer do not need a painful procedure that has long been routine: removal of cancerous lymph nodes from the armpit.
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The discovery turns standard medical practice on its head. Surgeons have been removing lymph nodes from under the arms of breast cancer patients for 100 years, believing it would prolong women’s lives by keeping the cancer from spreading or coming back.
Now, researchers report that for women who meet certain criteria — about 20 percent of patients, or 40,000 women a year in the United States — taking out cancerous nodes has no advantage. It does not change the treatment plan, improve survival or make the cancer less likely to recur. And it can cause complications like infection and lymphedema, a chronic swelling in the arm that ranges from mild to disabling.
Removing the cancerous lymph nodes proved unnecessary because the women in the study had chemotherapy and radiation, which probably wiped out any disease in the nodes, the researchers said. Those treatments are now standard for women with breast cancer in the lymph nodes, based on the realization that once the disease reaches the nodes, it has the potential to spread to vital organs and cannot be eliminated by surgery alone.
Experts say that the new findings, combined with similar ones from earlier studies, should change medical practice for many patients. Some centers have already acted on the new information. Memorial Sloan-Kettering Cancer Center in Manhattan changed its practice in September, because doctors knew the study results before they were published. But more widespread change may take time, experts say, because the belief in removing nodes is so deeply ingrained.
“This is such a radical change in thought that it’s been hard for many people to get their heads around it,” said Dr. Monica Morrow, chief of the breast service at Sloan-Kettering and an author of the study, which is being published Wednesday in The Journal of the American Medical Association. The National Cancer Institute paid for the study.
Doctors and patients alike find it easy to accept more cancer treatment on the basis of a study, Dr. Morrow said, but get scared when the data favor less treatment.
The new findings are part of a trend to move away from radical surgery for breast cancer. Rates of mastectomy, removal of the whole breast, began declining in the 1980s after studies found that for many patients, survival rates after lumpectomy and radiation were just as good as those after mastectomy.
The trend reflects an evolving understanding of breast cancer. In decades past, there was a belief that surgery could “get it all” — eradicate the cancer before it could spread to organs and bones. But research has found that breast cancer can begin to spread early, even when tumors are small, leaving microscopic traces of the disease after surgery.
The modern approach is to cut out obvious tumors — because lumps big enough to detect may be too dense for drugs and radiation to destroy — and to use radiation and chemotherapy to wipe out microscopic disease in other places.
But doctors have continued to think that even microscopic disease in the lymph nodes should be cut out to improve the odds of survival. And until recently, they counted cancerous lymph nodes to gauge the severity of the disease and choose chemotherapy. But now the number is not so often used to determine drug treatment, doctors say. What matters more is whether the disease has reached any nodes at all. If any are positive, the disease could become deadly. Chemotherapy is recommended, and the drugs are the same, no matter how many nodes are involved.
The new results do not apply to all patients, only to women whose disease and treatment meet the criteria in the study.
The tumors were early, at clinical stage T1 or T2, meaning less than two inches across. Biopsies of one or two armpit nodes had found cancer, but the nodes were not enlarged enough to be felt during an exam, and the cancer had not spread anywhere else. The women had lumpectomies, and most also had radiation to the entire breast, and chemotherapy or hormone-blocking drugs, or both.
The study, at 115 medical centers, included 891 patients. Their median age was in the mid-50s, and they were followed for a median of 6.3 years.
After the initial node biopsy, the women were assigned at random to have 10 or more additional nodes removed, or to leave the nodes alone. In 27 percent of the women who had additional nodes removed, those nodes were cancerous. But over time, the two groups had no difference in survival: more than 90 percent survived at least five years. Recurrence rates in the armpit were also similar, less than 1 percent. If breast cancer is going to recur under the arm, it tends to do so early, so the follow-up period was long enough, the researchers said.
One potential weakness in the study is that there was not complete follow-up information on 166 women, about equal numbers from each group. The researchers said that did not affect the results. A statistician who was not part of the study said the missing information should have been discussed further, but probably did not have an important impact.
It is not known whether the findings also apply to women who do not have radiation and chemotherapy, or to those who have only part of the breast irradiated. Nor is it known whether the findings could be applied to other types of cancer.
The results mean that women like those in the study will still have to have at least onelymph node removed, to look for cancer and decide whether they will need more treatment. But taking out just one or a few nodes should be enough.
Dr. Armando E. Giuliano, the lead author of the study and the chief of surgical oncology at the John Wayne Cancer Institute at St. John’s Health Center in Santa Monica, Calif., said: “It shouldn’t come as a big surprise, but it will. It’s hard for us as surgeons and medical oncologists and radiation oncologists to accept that you don’t have to remove the nodes in the armpit.”
Dr. Grant W. Carlson, a professor of surgery at the Winship Cancer Institute at Emory University, and the author of an editorial accompanying the study, said that by routinely taking out many nodes, “I have a feeling we’ve been doing a lot of harm.”

Indeed, women in the study who had the nodes taken out were far more likely (70 percent versus 25 percent) to have complications like infections, abnormal sensations and fluid collecting in the armpit. They were also more likely to have lymphedema.


But Dr. Carlson said that some of his colleagues, even after hearing the new study results, still thought the nodes should be removed.
“The dogma is strong,” he said. “It’s a little frustrating.”
Eventually, he said, genetic testing of breast tumors might be enough to determine the need for treatment, and eliminate the need for many node biopsies.
Two other breast surgeons not involved with the study said they would take it seriously.
Dr. Elisa R. Port, the chief of breast surgery at Mount Sinai Medical Center in Manhattan, said: “It’s a big deal in the world of breast cancer. It’s definitely practice-changing.”
Dr. Alison Estabrook, the chief of the comprehensive breast center at St. Luke’s-Roosevelt hospital in New York said surgeons had long been awaiting the results.
“In the past, surgeons thought our role was to get out all the cancer,” Dr. Estabrook said. “Now he’s saying we don’t really have to do that.”
But both Dr. Estabrook and Dr. Port said they would still have to make judgment calls during surgery and remove lymph nodes that looked or felt suspicious.
The new research grew out of efforts in the 1990s to minimize lymph node surgery in the armpit, called axillary dissection. Surgeons developed a technique called sentinel node biopsy, in which they injected a dye into the breast and then removed just one or a few nodes that the dye reached first, on the theory that if the tumor was spreading, cancer cells would show up in those nodes. If there was no cancer, no more nodes were taken. But if there were cancer cells, the surgeon would cut out more nodes.
Although the technique spared many women, many others with positive nodes still had extensive cutting in the armpit, and suffered from side effects.
“Women really dread the axillary dissection,” Dr. Giuliano said. “They fear lymphedema. There’s numbness, shoulder pain, and some have limitation of motion. There are a fair number of serious complications. Women know it.”
After armpit surgery, 20 percent to 30 percent of women develop lymphedema, Dr. Port said, and radiation may increase the rate to 40 percent to 50 percent. Physical therapy can help, but there is no cure.
The complications — and the fact that there was no proof that removing the nodes prolonged survival — inspired Dr. Giuliano to compare women with and without axillary dissection. Some doctors objected. They were so sure cancerous nodes had to come out that they said the study was unethical and would endanger women.
“Some prominent institutions wouldn’t even take part in it,” Dr. Giuliano said, though he declined to name them. “They’re very supportive now. We don’t want to hurt their feelings. They’ve seen the light.”

Good vs. Evil, Hanging by a Thread


THEATER REVIEW | 'SPIDER-MAN: TURN OFF THE DARK'

Good vs. Evil, Hanging by a Thread

Sara Krulwich/The New York Times
“Spider-Man: Turn Off the Dark”: The musical, whose superhero star performs aerial and acrobatic feats while vanquishing villains, is in previews at the Foxwoods Theater. More Photos »
Finally, near the end of the first act of “Spider-Man: Turn Off the Dark,” the audience at the Foxwoods Theater on Saturday night got what it had truly been waiting for, whether it knew it or not.
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Sara Krulwich/The New York Times
Patrick Page, left, as the Green Goblin, and Reeve Carney as Spider-Man, at Foxwoods Theater. More Photos »
Calamity struck, and it was a real-life (albeit small) calamity — not some tedious, confusing tripe involving a pretty girl dangling from a skyscraper and supervillains laying siege to Manhattan. And not the more general and seriously depressing disaster that was the sum of the mismatched parts that had been assembled onstage.
No, an honest-to-gosh, show-stopping glitch occurred, just as the title character of this new musical was about to vanquish or be vanquished by the evil Green Goblin. Never fully explained “mechanical difficulties” were announced by an amplified voice (not immediately distinguishable from the other amplified voices we had been hearing for what felt like forever), as the actors in the scene deflated before our eyes. And for the first time that night something like genuine pleasure spread through the house.
That glee soon took the form of spontaneous, nigh-ecstatic applause, a sound unheard in the previous hour. After vamping on a green fake piano (don’t ask), Patrick Page (who plays the Goblin with a gusto unshared by any other member of the cast) ad-libbed a warning to Reeve Carney(who stars as Spider-Man), who had been awkwardly marking time by pretending to drink Champagne.
“You gotta be careful,” Mr. Page said. “You’re gonna fly over the heads of the audience, you know. I hear they dropped a few of them.”
“Roar,” went the audience, like a herd of starved, listless lions, roused into animation by the arrival of feeding time. Everyone, it seemed, understood Mr. Page’s reference to the injuries that have been incurred by cast and crew members during the long (and officially still far from over) preview period for this $65 million musical. Permission to laugh had been granted, and a bond had temporarily been forged between a previously baffled audience and the beleaguered souls onstage.
All subsequent performances of “Spider-Man” should include at least one such moment. Actively letting theatergoers in on the national joke that this problem-plagued show has become helps make them believe that they have a reason to be there.
This production should play up regularly and resonantly the promise that things could go wrong. Because only when things go wrong in this production does it feel remotely right — if, by right, one means entertaining. So keep the fear factor an active part of the show, guys, and stock the Foxwoods gift shops with souvenir crash helmets and T-shirts that say “I saw ‘Spider-Man’ and lived.” Otherwise, a more appropriate slogan would be “I saw ‘Spider-Man’ and slept.”
I’m not kidding. The sheer ineptitude of this show, inspired by the Spider-Man comic books, loses its shock value early. After 15 or 20 minutes, the central question you keep asking yourself is likely to change from “How can $65 million look so cheap?” to “How long before I’m out of here?”
Directed by Julie Taymor, who wrote the show’s book with Glen Berger, and featuring songs by U2’s Bono and the Edge, “Spider-Man” is not only the most expensive musical ever to hit Broadway; it may also rank among the worst.
I would like to acknowledge here that “Spider-Man” doesn’t officially open until March 15; at least that’s the last date I heard. But since this show was looking as if it might settle into being an unending work in progress — with Ms. Taymor playing Michelangelo to her notion of a Sistine Chapel on Broadway — my editors and I decided I might as well check out “Spider-Man” around Monday, the night it was supposed to have opened before its latest postponement.
You are of course entitled to disagree with our decision. But from what I saw on Saturday night, “Spider-Man” is so grievously broken in every respect that it is beyond repair. Fans of Ms. Taymor’s work on the long-running musical “The Lion King,” adapted from the animated Walt Disney feature, will have to squint charitably to see evidence of her talent.
True, signature Taymor touches like airborne puppets, elaborate masks and perspective-skewing sets (George Tsypin is the scenic designer) are all on hand. But they never connect into a comprehensible story with any momentum. Often you feel as if you were watching the installation of Christmas windows at a fancy department store. At other times the impression is of being on a soundstage where a music video is being filmed in the early 1980s. (Daniel Ezralow’s choreography is pure vintage MTV.)
Nothing looks truly new, including the much-vaunted flying sequences in which some poor sap is strapped into an all-too-visible harness and hoisted uneasily above the audience. (Aren’t they doing just that across the street in “Mary Poppins”?) This is especially unfortunate, since Ms. Taymor and her collaborators have spoken frequently about blazing new frontiers with “Spider-Man,” of venturing where no theater artist (pardon me, I mean artiste) has dared to venture before.
I’m assuming that frontier is supposed to exist somewhere between the second and third dimensions. “Part of the balance we’ve been trying to strike is how ‘comic book’ to go and how ‘human’ to go,” Ms. Taymor has said about her version of the adventures of a nerdy teenager who acquires superhuman powers after being bitten by a radioactive spider.

Anyway, there are lots of flat, cardboardish sets, which could easily be recycled for high school productions of “Grease” and “How to Succeed in Business Without Really Trying,” and giant multipanel video projections (by Kyle Cooper). That takes care of the two-dimensional part. The human aspect has been assigned to the flesh-and-blood cast members, and it is a Sisyphean duty.
Some wear grotesque masks that bring to mind hucksters on sidewalks handing out promotional material for fantasy-theme restaurants. (Eiko Ishioka is the costume designer.) Those whose own features are visible include — in addition to Mr. Carney (looking bewildered and beautiful as Spider-Man and his conflicted alter ego, Peter Parker) — a strained Jennifer Damiano as Mary Jane Watson, Peter’s spunky kind-of girlfriend, and T. V. Carpio as Arachne, a web-weaving spider-woman of Greco-Roman myth who haunts Peter’s dreams before breaking into his reality. (I get the impression that Arachne, as the ultimate all-controlling artist, is the only character who much interests Ms. Taymor, but that doesn’t mean that she makes sense.)
There is also the Geek Chorus (Gideon Glick, Jonathan Schwartz, Mat Devine, Alice Lee), a quartet of adolescent comic-book devotees, who would appear to be either creating or commenting on the plot, but in any case serve only to obscure it even further. They discuss the heady philosophical implications of Spider-Man’s identity while making jokes in which the notion of free will is confused with the plot of the movie “Free Willy.”
For a story that has also inspired hit action movies, it is remarkably static in this telling. (A lot of the plot-propelling fights are merely reported to us.) There are a couple of picturesque set pieces involving Arachne and her chorus of spider-women and one stunner of a cityscape that suggests the streets of Manhattan as seen from the top of the Chrysler Building.
The songs by Bono and the Edge are rarely allowed to take full, attention-capturing form. Mostly they blur into a sustained electronic twang of varying volume, increasing and decreasing in intensity, like a persistent headache. A loud ballad of existential angst has been written for Peter, who rasps dejectedly, “I’d be myself if I knew who I’d become.” That might well be the official theme song of “Spider-Man: Turn Off the Dark.”
SPIDER-MAN
Turn Off the Dark
Music and lyrics by Bono and the Edge; book by Julie Taymor and Glen Berger; directed by Ms. Taymor; choreography and aerial choreography by Daniel Ezralow; sets by George Tsypin; lighting by Donald Holder; costumes by Eiko Ishioka; sound by Jonathan Deans; projections by Kyle Cooper; masks by Ms. Taymor; hair design by Campbell Young Associates/Luc Verschueren; makeup design by Judy Chin; aerial design by Scott Rogers; aerial rigging design by Jaque Paquin; projection coordinator/additional content design by Howard Werner; arrangements and orchestrations by David Campbell; music supervisor, Teese Gohl; music direction by Kimberly Grigsby; music coordinator, Antoine Silverman; vocal arrangements by Mr. Campbell, Mr. Gohl and Ms. Grigsby; additional arrangements/vocal arrangements by Dawn Kenny and Rori Coleman; associate producer, Anne Tanaka; executive producers, Glenn Orsher, Martin McCallum and Adam Silberman. Presented by Michael Cohl and Jeremiah J. Harris, Land Line Productions, Hello Entertainment/David Garfinkle/Tony Adams, Sony Pictures Entertainment, Norton Herrick and Herrick Entertainment, Billy Rovzar and Fernando Rovzar, Jeffrey B. Hecktman, Omneity Entertainment/Richard G. Weinberg, James L. Nederlander, Terry Allen Kramer, S2BN Entertainment, Jam Theatricals, the Mayerson/Gould/Hauser/Tysoe Group, Patricia Lambrecht and Paul McGuinness, by arrangement with Marvel Entertainment. At the Foxwoods Theater, 213 West 42nd Street, Manhattan; (877) 250-2929; ticketmaster.com. Running time: 2 hours 45 minutes.
WITH: Reeve Carney (Peter Parker/Spider-Man), Jennifer Damiano (Mary Jane Watson), T. V. Carpio (Arachne), Patrick Page (Norman Osborn/the Green Goblin), Michael Mulheren (J. Jonah Jameson), Ken Marks (Uncle Ben), Isabel Keating (Classics Teacher/Aunt May), Jeb Brown (M J’s Father), Mat Devine (Grim Hunter), Gideon Glick (Jimmy-6), Alice Lee (Miss Arrow), Jonathan Schwartz (Professor Cobwell), Laura Beth Wells (Emily Osborn), Matt Caplan (Flash), Dwayne Clark (Boyle/Busker) and Luther Creek (Kong)
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Diagnóstico y manejo de la pre-eclampsia: una actualización


Diagnóstico y manejo de la pre-eclampsia: una actualización
Diagnosis and management of pre-eclampsia: an update.
Turner JA.
Department of Anesthesiology, David Geffen School of Medicine, University of California, Los Angeles, CA, USA.
Int J Womens Health. 2010 Sep 30;2:327-37. 

Abstract
Pre-eclampsia is a significant, multifactorial, multiorgan disease affecting 5%-8% of all pregnancies in the US where it is the third leading cause of maternal mortality. Despite improvements in the diagnosis and management of pre-eclampsia, severe complications can occur in both the mother and the fetus, and there is no effective method of prevention. Early detection and identification of pregnant women most at risk of developing the disease have proven challenging, but recent efforts combining biochemical and biophysical markers are promising. Efforts at prevention of pre-eclampsia with aspirin and calcium have had limited success, but research on modifiable risk factors, such as obesity surgery, are encouraging. Obstetric management of severe pre-eclampsia focuses on medical management of blood pressure and prevention of seizures using magnesium sulfate, but the ultimate cure remains delivery of the fetus and placenta. Timing of delivery depends on several factors, including gestational age, fetal lung maturity, and most importantly, disease severity. Anesthetic management includes regional anesthesia with careful evaluation of the patient's airway, volume status, and coagulation status to reduce morbidity and mortality. The potential complications of general anesthesia, including intracranial hemorrhage, in these patients make regional anesthesia the preferred choice in many cases. Nevertheless, it is important to be aware of the contraindications to neuraxial anesthesia and to prepare always for the possibility of encountering a difficult airway.
 
Efectos del remifentanilo sobre las respuestas cardiovascular y del BIS a la intubación endotraqueal en pacientes con pre eclampsia severa que se operan de cesárea con anestesia general
Effects of remifentanil on cardiovascular and bispectral index responses to endotracheal intubation in severe pre-eclamptic patients undergoing Caesarean delivery under general anaesthesia.
Yoo KY, Jeong CW, Park BY, Kim SJ, Jeong ST, Shin MH, Lee J.
Department of Anaesthesiology, National University Medical School, 8 Hak-dong, Gwangju 501-190, South Korea. kyyoo@jnu.ac.kr
Br J Anaesth. 2009 Jun;102(6):812-9.  
Abstract
BACKGROUND: We examined the effects of remifentanil on cardiovascular and bispectral index (BIS) responses to tracheal intubation and neonatal outcomes in pre-eclamptic patients undergoing Caesarean delivery under general anaesthesia.METHODS: Forty-two women with severe pre-eclampsia were randomly assigned to receive either remifentanil 1 microg kg(-1) (n=21) or saline (n=21) over 30 s before induction of anaesthesia using thiopentone 4 mg kg(-1) and suxamethonium 1.5 mg kg(-1). Mean arterial pressure (MAP), heart rate (HR) and BIS values as well as plasma catecholamine concentrations were measured. Neonatal effects were assessed using Apgar scores and umbilical cord blood gas analysis. RESULTS: Induction with thiopentone caused a reduction in MAP and BIS in both remifentanil and control groups. Following the tracheal intubation MAP and HR increased in both groups, the magnitude of which was lower in the remifentanil group. BIS values also increased, of which magnitude did not differ between the groups. Norepinephrine concentrations increased significantly following the intubation in the control, while remained unaltered in the remifentanil group. The neonatal Apgar scores at 1 min were significantly lower in the remifentanil group than in the control. However, Apgar scores at 5 min, and umbilical artery and vein blood gas values were similar between the groups. CONCLUSIONS: These results suggest that a single bolus of 1 microg kg(-1) remifentanil effectively attenuates haemodynamic but not BIS responses to tracheal intubation in pre-eclamptic patients undergoing Caesarean delivery under general anaesthesia. However, its use was associated with maternal hypotension and neonatal respiratory depression requiring resuscitation.

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Anestesiología y Medicina del Dolor

PHIME saca a la luz los metales tóxicos


PHIME saca a la luz los metales tóxicos
Científicos del proyecto financiado con fondos comunitarios PHIME («Impacto en la salud pública de la exposición a largo plazo a concentraciones bajas de elementos variados en estratos sensibles de la población») advierten que incluso un nivel bajo de exposición a metales tóxicos puede resultar perjudicial para la salud humana.
FUENTE | CORDIS: Servicio de Información en I+D Comunitario09/02/2011
El equipo de PHIME hace un llamamiento a los responsables políticos para que controlen de forma sistemática los niveles de metales tóxicos a los que está expuesta la población y tomen medidas para reducir la emisión de este tipo de sustancias al medio ambiente. 

PHIME recibió 13,4 millones de euros de financiación a través del área temática «Calidad y seguridad alimentaria» del Sexto Programa Marco (6PM) de la UE. El proyecto se propuso investigar la exposición a metales tóxicos, su impacto en la salud pública y las fuentes de emisión. PHIME se centró en grupos vulnerables como fetos, bebés y niños, mujeres en edad fértil y mujeres mayores.

Uno de los metales investigados fue el arsénico, calificado por el coordinador del proyecto Staffan Skerfving de la Universidad de Lund (Suecia) como «un elemento feo». «Es muy tóxico para el feto», indicó a CORDIS Noticias, y explicó que los fetos expuestos a niveles elevados de este metal tóxico corren un riesgo mayor de aborto, malformación y muerte perinatal. El arsénico también afecta al sistema nervioso central y los niños expuestos a él durante el embarazo y durante los primeros compases de la vida pueden ver reducido su coeficiente intelectual. Más adelante, la exposición a arsénico puede desactivar el sistema inmunitario y aumentar el riesgo de cáncer.

La investigación de PHIME ha revelado que la vulnerabilidad a los efectos del arsénico y otros metales tóxicos se debe en parte a factores genéticos. «Algunas personas pueden deshacerse del arsénico mucho mejor que otras y hemos estudiado poblaciones muy expuestas al arsénico para descubrir por qué», indica el profesor Skerfving.

Por ejemplo, ciertos habitantes de los Andes se han visto expuestos a entornos con arsénico durante miles de años y parece ser que han desarrollado la capacidad de vivir en esta situación. «Se ha producido una selección [natural]», indica el coordinador del proyecto. En cambio, los habitantes de Bangladesh, donde la presencia de arsénico en el agua de consumo es un fenómeno relativamente reciente provocado por la perforación de millones de pozos, son aún muy sensibles al arsénico.

Otro elemento estudiado por PHIME es el cadmio. En este caso el grupo en mayor riesgo es el de las mujeres mayores por dos razones. En primer lugar porque la exposición al cadmio aumenta el riesgo de osteoporosis en mujeres. Las mujeres son especialmente vulnerables a la contaminación por cadmio debido a que también son más propensas a sufrir deficiencia de hierro, lo que a su vez provoca una mayor absorción de cadmio en el tracto gastrointestinal. Con el paso de los años el cadmio se acumula en el organismo. En segundo lugar, el cadmio simula los efectos de la hormona estrógeno y podría aumentar el riesgo de padecer cánceres dependientes de estrógeno como el de pecho.

La exposición al cadmio procede de los alimentos, pues se trata de un elemento común en los fertilizantes y las plantas lo absorben a través de sus raíces. La investigación de PHIME ha desvelado que incluso un nivel bajo de exposición como el de Suecia puede ser perjudicial para la salud humana. El problema radica en que el cadmio permanece en el medio ambiente durante mucho tiempo. 

«Las emisiones industriales y los fertilizantes con cadmio deben prohibirse para eliminar un riesgo ya presente», enfatiza el profesor Skerfving.

Uno de los grandes logros recientes en relación a un metal tóxico tuvo que ver con el plomo. Su eliminación de la gasolina redujo enormemente la exposición de los niños a la contaminación por este metal. No obstante, el profesor Skerfving advierte que no es momento para la autocomplacencia. «La reducción observada, pese a ser muy buena, no es suficiente», indica. «Sigue produciéndose un efecto y aún hay mucho que avanzar.»

El plomo aún se introduce en el medio ambiente debido a las emisiones industriales, y en el entorno todavía existe plomo procedente de la gasolina. 

El proyecto PHIME está a punto de finalizar, pero el profesor Skerfving indica que aún es necesario investigar mucho más este ámbito. «Debemos controlar mejor la exposición a metales tóxicos», indica. Aunque existe cierta cantidad de información sobre la exposición a plomo y cadmio de ciertas poblaciones, no se están realizando trabajos para medir de forma sistemática la exposición a otros metales tóxicos.

El equipo de PHIME también desea que se amplíe la investigación realizada sobre el efecto de los metales tóxicos en las plantas. El proyecto ha realizado gran cantidad de trabajo en este ámbito, pero aún es necesario obtener más información. «¿Es posible criar tipos de trigo y arroz que acumulen menos cadmio y más zinc?», plantea el profesor Skerfving.

Por último, debe ampliarse la investigación sobre las condiciones genéticas que determinan los efectos tóxicos, tema estudiado por el proyecto PHIME en profundidad. «Existen diferencias enormes en la susceptibilidad [genética] a los metales tóxicos y desearíamos averiguar por qué», indica el profesor Skerfving. 

Mientras tanto, el equipo se dedica a entrevistarse con responsables políticos de toda Europa para asegurarse de que sus descubrimientos se transforman en políticas que protejan a la población frente a los efectos de los metales tóxicos.

El 'pecado original' de la obesidad y el sobrepeso
A través de una serie de artículos iremos repasando los siete 'pecados capitales' de la obesidad. El primero es sin duda, el 'pecado original'.
FUENTE | El Mundo Digital09/02/2011
La obesidad se ha convertido en uno de los temas de salud más comentados en la prensa y más ávidamente investigados en el ámbito científico. Esto no es sorprendente teniendo en cuenta que está invadiéndonos con tal virulencia que ya se le considera una 'epidemia' -afecta a 205 millones hombres y 297 millones de mujeres-. Como tantas otras pandemias en la historia de la humanidad, no respeta fronteras ni desarrollo económico, por lo que ya ha recibido el apelativo de 'Globesidad'. 

Las cifras más recientes aparecidas este mes en la revista 'The Lancet', muestran que entre 1980 y 2008, la media mundial del índice de masa corporal (IMC) ha aumentado por cada década en 0,4 kg/m2 en hombres y 0,5 kg/m2 en mujeres. El aumento más espectacular se da en Oceanía con países, como Nauru, que ya alcanzan como media nacional un IMC de 34,5, muy por encima del umbral de la obesidad (30,0 kg/m2). Durante la primera mitad del siglo pasado, esta área del mundo vivía una situación muy diferente, un dato muy relevante para entender el porqué del pecado original de la obesidad.

Ríos de tinta real o virtual han discutido extensamente las razones de la obesidad. De hecho, el mayor problema con que nos enfrentamos para su prevención y terapia es la complejidad de su etiología. A uno de los factores influyentes lo denominaremos como 'el pecado original' que, aunque no se remonte tanto en el tiempo como el bíblico, sí que nos precede a cada uno de nosotros como individuos y por lo tanto nada podemos hacer al respecto. Estamos hablando naturalmente del componente genético de la obesidad que depende de nuestros padres y abuelos y el resto de nuestro árbol familiar.

LA INVESTIGACIÓN AVANZA

Que la obesidad es hereditaria (genética) ha sido evidente incluso antes de que supiéramos nada acerca de genes y de ADN. Solamente había que ejercer las dotes de observación y ver cómo esta se concentraba en familias.

Gracias a los avances en investigación genética, sabemos que uno de cada 20 casos de obesidad mórbida, tiene como causa una mutación específica de un gen y poco pueden estos sujetos hacer para contrarrestar ese determinismo genético. Sin embargo, para el 95% de los obesos mórbidos y para el grupo inmensamente más numerosos de individuos con sobrepeso y obesidad más 'normal', el papel de la genética es mucho más complicado. 

En estos casos, a diferencia de lo que ocurre con la obesidad monogénica, el componente genético no es determinista, sino solamente permisivo. Esto supone que, en estos casos, la obesidad se manifiesta sólo en el caso de que se den otros factores desencadenantes del exceso de peso como son algunos de los otros 'pecados capitales' que iremos discutiendo en las próximas semanas y que son bien conocidos (por ejemplo, la ingesta calórica excesiva y el sedentarismo).

Estos nos viene a indicar que la mayor parte de nosotros no podemos simplemente encogernos de hombros, cruzarnos de brazos (tras tirar la toalla) y culpar a nuestros genes (o a nuestros ancestros) o a la sociedad.

Utilizando un paralelismo ya utilizado por otros en situaciones similares, las mutaciones genéticas relacionadas con la obesidad común son como una pistola cargada. Nada pasará con ella hasta que se apriete el gatillo. Es decir, si el individuo no añade a la ecuación los factores ambientales que conduzcan a la obesidad, nuestros genes no se expresaran, como bien queda demostrado por las tasas de obesidad mucho menores que existían en las generaciones anteriores a pesar de compartir los mismos genes (véase arriba el caso de Nauru). Es por lo tanto esa combinación, de mutaciones genéticas (presentes en nuestro genoma por decenas o cientos de generaciones) y de un medio ambiente obesogénico (aparecido en las últimas décadas) el que ha dado lugar a la epidemia de obesidad actual.

Uno se podría preguntar desde el punto de vista evolutivo por qué mantenemos en nuestros genomas tantas mutaciones asociadas con la obesidad. Lo normal sería que mutaciones con efectos negativos fueran disminuyendo en frecuencia de una generación a otra hasta desaparecer del linaje humano. 

Hay dos respuestas a esta pregunta. La primera es que la mayor parte de las mutaciones no se han expresado hasta las últimas décadas y, por lo tanto, la selección no ha tenido tiempo de actuar. La segunda es que algunas de estas mutaciones fueron, paradójicamente, vitales para la supervivencia de la especia humano. Para entender esto hemos de distanciarnos del entorno actual en el que nos movemos y pensar que hace miles de años, e incluso más recientemente, los alimentos no eran ni tan abundantes, ni tan fáciles de conseguir (al menos en nuestro entorno). Por lo tanto, aquellos que tenían mutaciones que podemos calificar como 'ahorradoras', eran capaces de almacenar y retener mejor la energía (es decir la grasa en el tejido adiposo) y de esta manera afrontar los periodos de hambruna con mayores posibilidades de éxito.

Sin embargo, en el ambiente 'obesogénico' de hoy en día, estos sujetos se encuentran en desventaja dada su predisposición innata a la obesidad. Esto también explica en parte por qué algunos grupos étnicos (por ejemplo los indios americanos o los asiáticos, y sobre todo los habitantes de las islas del Pacífico) tienen un mayor de riesgo de obesidad hoy en día ya que tradicionalmente han sido culturas que han estado expuestas a hambrunas o a conseguir los alimentos con gran esfuerzo físico.

Así pues, como resumen de este nuestro primer 'pecado capital', podemos decir que la obesidad común en la población tiene un componente genético pero que son nuestros hábitos los que hacen que el potencial encerrado en nuestros genes se manifieste. La mala noticia es que no podemos enteramente 'culpar' a nuestros genes porque nosotros somos cómplices activos. La buena noticia es que la investigación más reciente ha demostrado repetidamente que podemos eliminar en su mayor parte la predisposición a la obesidad con un estilo de vida saludable y con esa 'penitencia' librarnos de las consecuencias de este nuestro 'pecado original'. 

Autor:   José Mª Ordovás